Author: Anthea » Mon Dec 01, 2014 10:50 pm
If the mock-up of a man floating dead in a swimming-pool is now classed as art - the is little hope left for culture

A visitor views an installation at the Danish and the Nordic pavilion during the vernissage of the 53rd Biennale International Art Exhibition in Venice, June 3, 2009. REUTERS/Tony Gentile
Hallucinatory spectacle in watery cityAustralia has brought hope and humour to a Biennale overdosing on decadence, writes Gabriella Coslovich in Venice.
So much art, so much free prosecco, so much ostentation. At the 53rd Venice Biennale, underfed women traipse the gravel paths of the Giardini in dizzying designer heels, flanked by shiny-faced men in immaculate suits of rainbow-coloured wonder — striped seersucker and head-to-toe plaid seems in vogue, as do eye-popping trousers of vermillion, yellow or green. What global financial crisis?
After a three-day preview restricted to the media and very important persons (wealthy collectors and gallery directors and not-so-wealthy curators and artists), the showcase has opened to the public to start a five-month international smorgasbord of art. The most prestigious terrain of the Biennale is the Giardini, or gardens, a tiny triangle of green on the tip of the Castello district with 30 national pavilions.
The evocative Arsenale, former military warehouses a little further north, is the next most important pitch but the Biennale takes over the entire city, with shows scattered throughout Venice in churches, universities, palaces, institutes - sending foreigners mad as they try to locate events in the city's labyrinthine streets...
http://www.smh.com.au/news/entertainmen ... 79981.htmlSo-called art collectors paid fortunes for "art" such as this

My Name Is KURDISTAN And I Will Be FREE